Calendar of Events

Upcoming Events

The BQE Project w/ The Golem  (Live at the Jacob Burns Film Center)
Date: Wednesday, April 9th
Time: 7:00 PM
Where: Jacob Burns Film Center
Location: 362 Manville Rd. Pleasantville, NY 10570
Phone: 914-747-5555 info-line for showtimes
Ticket information: https://tickets.burnsfilmcenter.org/php/calendar.php?month=4&day=9&year=2008&sid=&cmode=0&org=2
Directions: http://www.burnsfilmcenter.org/about/directions.html

The BQE Project w/ The Golem  (Live at Whitman Theater!)
Date: Sunday, March 9th
Time: 2:00 PM
Where: Whitman Theater at Brooklyn College
Phone: 718-951-4500 (during box office hours)
Ticket information: http://www.brooklyncenter.com/master_events/season0708/index_events08.html#feb_08
(scroll down to the March calendar section for detailed info)
Directions:  
http://www.brooklyncenter.com/directions/index_directions.html

Date: Feb. 1st, 2008
Location: George Eastman House / Dryden Theater
Address: 900 East Ave., Rochester, NY 14607
Performance: 8:00 PM
Phone: 585-271-3361
Web-site info: http://dryden.eastmanhouse.org/films/the-bqe-project-in-person-battling-butler/

Date: Feb. 2nd, 2008
Location: Cornell Cinema
Address:  104 Willard Straight Hall, Cornell University; Ithaca, NY 14853
Performance: 9:00 PM (Pre-concert party at 7:30 PM)
Web-site info: http://cinema.cornell.edu/EarlySpring08/battlingbutler.html

All music composed by Tom Nazziola and performed live by The BQE Project

Watch for DER GOLEM with the BQE Project, live, this spring.

"All music composed by Tom Nazziola...."

The BQE Project has become synonymous with creating imaginative, provocative scores for classic silent films and even more exiting, for early sound films like Von Sternberg's THE BLUE ANGEL which, because of the primitive nature of sound technology at the time, has music accompanying only the opening credits.  The BQE Project uses this happenstance as an opening in which to inject fresh, live music content with compelling results.  

 

DER GOLEM

“…..Not only does the music sync so closely to the film imagery that one could believe it was a soundtrack on the film itself, but the melodic themes and the powerful moods that Nazziola is able to create, even within the very constricted confines of the timing and movement of the existing imagery, are just mesmerizing.”

- Brooklyn Center for the Performing Arts